Anthony Gross 'Woman And Wheelbarrow'

A good large size to this framed limited edition etching by artist Anthony Gross, inscribed, signed and numbered 24/50 in pencil and dated to 1956.

Depicting a woman with a wheelbarrow, along with other figures and animals, with buildings behind. Signed 'Ay. Gross', and in pencil 'Anty Gross'

Etching is 46.2cm x 52.2cm - in frame 76cm x 71cm under glass.

Gross was an outstanding printmaker of his generation. Number 3/50 of this print is held in the Victoria and Albert Museum, London.

Bio:

Anthony Imre Alexander Gross CBE RA (19 March 1905 – 8 September 1984) was a British printmaker, painter, war artist and film director of Hungarian-Jewish, Italian, and Anglo-Irish descent.

Born in 1905 at Dulwich, London he was the son of the Hungarian cartographer and founder of Geographia Ltd, Alexander Gross (1880–1958) and suffragette Isabelle Crowley (1886-1938). His sister was the artist, writer and publisher Phyllis Pearsall. He attended Shrewsbury House School and later Repton School until 1922, and from the following year studied at the Slade School of Fine Art  under Henry Tonks. Later studies were at the Central School of Art and Crafts, London, the Ecole des Beaux Arts, Paris and the Academia de San Fernando, Madrid. In 1925 he studied within life classes and as an engraver at Academie Julian and Academie de la Grande Chaumiere, Paris. Following study, Gross painted and produced intaglio prints in Spain, painted in Brussels, and in 1928 returned to work in Paris.

While in France he developed a working relationship with Jozef Hecht and Stanley William Hayter. During the early 1930s he exhibited in Paris galleries, becoming a member of the La Jeune Gravure Contemporaine, designed costumes and settings for ballet, and worked with composer Tibor Harsanyi. He co-directed the short film La Joie de vivre with Hector Hoppin in 1934.

Returning to Britain, Gross worked on animated films, illustrated a 1929 edition of Jean Cocteau's Les Enfants Terribles and became an art director for London Films. In 1937 he returned to work in Paris. Gross had married Villeneuve fashion artist Marcelle Marguerite Florenty in 1930 and they had two children. In 1940 he brought his family from France to England.

Through advocacy by Eric Kennington to the War Artists' Advisory Committee, Gross was offered, and accepted, the role of an official war artist, and produced etchings and oil and watercolour paintings of English coastal defences and troop training. In 1941 Gross was attached to the 9th Army and painted within the Egyptian, Syrian, Palestinian, Kurdistan, Lebanese, and Mesopotamian theatres of war, sometimes accompanied by other war artists Edward Ardizzone and Edward Bawden and later documenting the 8th Army's North African Campaign. From 1943 he transferred to India and Burma to witness the front line battle against the Japanese; these works were the subject of a one-man exhibition at the National Gallery when he returned to England. Later, in 1944 and 1945, an exhibition of 51 of these drawings, entitled India in Action, toured Australia, New Zealand and the United States.

Gross accompanied the D-Day invasion of Northern France, wading ashore near Arromanches at 2pm on D-Day. He sketched the beachhead landings and spent the night in a slit trench on the beach before moving inland the next day. Gross recorded the devastation of Bayeux and Caen and followed the Allied armies to Paris and then into Germany. He witnessed the meeting of American and Russian forces at the River Elbe on 25th April 1945. Gross was, at the time, one of the many war artists who painted a portrait of General Montgomery.

Following the war, Gross returned to working in London, while in the mid-1950s working partly in Le Boulvé. He produced lithographs for J Lyons and Co and illustrated editions of Wuthering Heights and The Forsyte Saga. In 1954 he designed the dust jacket for the first edition of Lord of the Flies. From 1948 to 1954 he was a life drawing tutor at the Central School of Arts and Crafts, afterwards becoming Head of Printing at the Slade School of Fine Art.

From 1948 to 1971 Gross's work was exhibited in London and New York in one-man shows and as part of The London Group. In 1965 he became the first president of the Printmakers Council. He became an honorary member of the Royal Society of Painter-Etchers and Engravers in 1979, the same year being elected as an Associate of the Royal Academy; becoming a Senior Academician in 1981, and receiving an CBE in 1982.

His works are held in various public collections around the world, including the British Museum, V&A, Tate Gallery, Smithsonian Institute, Metropolitan Museum of Art and many others.